The Lodger: From Page to Stage to Screen

Alfred Hitchcock, Ivor Novello, Jack the Ripper, London, Marie Belloc Lowndes, The Lodger, Uncategorized, silent motion pictures, stage and screen, theater 3 Comments »

 Marie Belloc Lowndes


Marie Belloc Lowndes (1868–1947)

Marie Belloc Lowndes published her first version of The Lodger
about a Ripper-like killer named “The Avenger”,  as a short story in
McClure’s Magazine in 1911. By 1913 she made it a full-length novel.
It  is clear that the ’orrible murders were taking place in Whitechapel;
the link to the Ripper is unmistakeable.

Mr and Mrs Bunting suspect that their lodger, Mr Sleuth, is “The Avenger.” 
But whether Sleuth really is the murderer is unclear: the story focuses
on the Buntings’ possibly unfounded terror rather than the crimes.   

The novel was adapted for the stage as a comedy entitled Who Is He? by
by prolific writer Horace Annesley Vachell (1861–1955). It played at the
Haymarket Theatre in London in 1916 with Howard Ainley in the title role. 

In January 1917, the play was done in New York with Lionel Atwill as
the lead. It received mixed reviews when it opened on 8 January 1917 at
the Maxine Elliott Theatre. The critic in the New York Times felt that
Atwill played the role in a “hammer-and-tongs” fashion little suited for
what he termed “such slight stuff” as The Lodger.

Overall, the critic declared the show to be “highly amusing” and that
Beryl Mercer as Mrs Bunting outshone the lead actor.  He said she was
“enormously laughable as the tender-hearted but suspicious landlady.”
It closed after 56 performances. Atwill would go on to enjoy a long
career playing roles in B-movies.

Ten years later, the play was brought to the big screen by Alfred Hitchock
in his first major film, using the same title as Belloc Lowndes’ novel, The
Lodger: A Story of the London Fog
. The significance of the subtitle is that
it gives the notion that the crimes were committed in London’s notorious fog,
which Ripperologists know is nonsense, don’t we?  In any case, the idea of
London’s stereotypical fog only added to the myth of Jack the Ripper.

Hitchcock’s version of The Lodger was the 1927 silent classic starring Ivor
Novello. He played the role in enigmatic fashion, alarming the Buntings
while charming their blond daughter, Daisy. As with Hitchcock’s handling
of Cary Grant later in Suspicion and To Catch a Thief, the director toyed
with the audience and hinted at a dark side to the character, although
Novello’s character would turn out a good guy on the trail of the killer.

Hitchcock said, “I had seen a play called Who Is He? based on Mrs. Belloc
Lowndes’ novel The Lodger. The action was set in a house that took in
roomers and the landlady wondered whether her new boarder was Jack the
Ripper or not. I treated it very simply, purely from her point of view.”
He disliked the later talkie versions of The Lodger made by other
directors, because they made the story too complicated. 


Marie Belloc Lowndes, “The Lodger,” in McClure’s Magazine, Volume 36, January 1911, pp. 266–77.

Marie Belloc Lowndes, The Lodger. London: Methuen, 1913. 

Mark Whitehead and Miriam Rivett, Jack the Ripper. Harpenden, Hertfordshire: Pocket Essentials, 2006, p. 67

Denis Meikle, Jack the Ripper: The Murders and the Movies. Richmond, Surrey: Reynolds and Hearn Ltd., 2002, pp. 44–49.

Gary Coville and Patrick Lucanio, Jack the Ripper: His Life and Crimes in Popular Entertainment. Jefferson, North Carolina: McFarland, 1999, p. 24.

 “‘The Lodger’ Proves Highly Amusing,” New York Times, January 9, 1917.Ivor Novello in Hitchcock’s silent classic film The Lodger (1927) Ivor Novello in Hitchcock's The Lodger

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